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ISSN 1409-6900 | UDK 82+7     Blesok no. 59 | volume XI | March-April, 2008



                     Peer-reviewed journal
Blesok no. 59March-April, 2008

Masterfully, Venko!

(Venko Andonovski: Veštica (The Witch). – Skopje, "Kultura", 2006)

p. 1
Kristina Nikolovska

This novel is not to be read. This novel is to be lived…

*    *    *

The testimony of the genocide of the so-called XVII century “witches” in Croatia is a potresna metonymy for even bigger inquisitions. These inquisitions still “travel” and “move” through times and space. This is when fiction is an ideal alibi for the existence of – reality. Thus witches are fiction – perfectly constructed alibi of reality of the morbid world of: prosecutors, investigators, persecutors, executioners, butchers, punishers, inquisitors (of life and passion). Respectfully disguised in: uniforms, roles, functions, positions… There is a logical inversion made: what is being trialed is fiction, purposefully constructed world, instead of one's own “dirty” reality. There is a social, institutional and public desecration and massacre of beautiful and wise – because of one's own impotence. This is another name for power, political games, quasi-ideological moralizing, spiritual travesty, intellectual prostitution, ideological homosexuality and hypocrisy. This erosion of morality leads to irrevocable sliding of axiologies and final disastrous earthquake of axiologies!
    This massive, acted hysteric exorcism – is pure artism or alleged exorcism of devils. This abused demonopathology – or obsession with the devil, as an eternal demonomanty through the centuries is only being travestied, re-masked, re-packed, re-advertised. Not only between sexes, but also among each sex of: good versus evil, beautiful versus ugly, free versus closed, love / hate, passion / impotence, freedom / frustration, etc.
    For all of this there “secret documentation”, records, laws, reports, were fiction is “desecrated” and abused as a pseudo-fact. But, in this world of documentation, archives, courts – one does not only search for the most important and most secret document possible. It is this document that one of the authors searches for.
Is there a more secret and more undecifred document than – man?
The search for it, as a precious secret testimony of centuries and universes is done – via the stories of this book.
    This is how the world of inquisition is opened. The horrifying testimonies of the genocide of so-called “witches” are most convincing in the shaky “horror documentariness”. “For it is blood that writes, not the ink”[1], says the narrative voice. The morbid fact recording of torture devices with detailed descriptions of inquisition orgies are the place of horrible “three dots” where the “reader finished the story with his tears!” according to the narrator. Our “manuscript” of tears for these horrors is – a replica to the blood


1. Paraphrase of a quotation from the book Veštica: “It is so because the writer writes the story in blood, and the reader finishes it with his tears!” (125).

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