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ISSN 1409-6900 | UDK 82+7     Blesok no. 80-81 | volume XIV | September-December, 2011



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                     Peer-reviewed journal
Blesok no. 80-81September-December, 2011
Essays

Dear Ana

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p. 1
Darija Žilić

Dear Ana,
    I'm happy to let you know that A Megaphone has arrived. I spent the whole afternoon yesterday reading it, enjoying most of all the fact that this book of essays on the position of female poets in the society includes several essays by Croatian authors. I also remembered how you and I had started working together. At the time, I had been trying to persuade several Croatian poets to write on this topic, I wanted to publish their texts in the journal Tema and then send them on to you, for your research. I recalled how difficult it had been to persuade the poets, but still, I had managed to collect about twenty essays and publish them in the special issue of Tema, "Female Poets". Later on I had sent them to you and gradually forgotten all about that. After a while you had told me that a book was in the making, texts being selected and translated. The editors Juliana Spahr and Stephanie Young had chosen the essays by Croatian authors who, with the exception of Vesna Biga, had never been included in literary anthologies. They had picked those they had considered the most interesting. Later on, it turned out not to be easy to explain the choice. A lot of questions had been raised: Why those particular authors?, Who were they to decide?, etc.
    But, all of that doesn't matter now. A Megaphone is in my hand. I impatiently leaf through the book, looking for the explanation why this title. And here it is, I've found it. Poetas de Megafono (Poets of the Megaphone) is a group of feminist poetesses who work on the literary fringes of Mexico City. They meet at a café and read poetry through a megaphone. We usually associate megaphones with public protests, but what's the point of reading poetry through such a device? The point is that in the social sphere women are usually unseen and their voices unheard so this way of reading poetry is the poetesses' attempt to be "heard", to attain a space of their own and to mark it with their art. Poetry spoken through a megaphone resounds like a rallying cry, goes beyond the expectations of polite recitation, becomes akin to protest speeches of disenfranchised workers…
    Poetry as emancipation or is it merely a utopian inscription? I've recently received a book from Germany, titled Forgotten Future: The Politics of






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